Great to be at the Griersons and winning something with the True Vision team! Curing Cancer really deserved to win and I’m chuffed to bits for Brian Woods
Jamie Perera: Music
Video: Warning graphic content
The scenarios in this innovative, gaming-style video are drawn from real-life testimonies of children in War Child’s projects across Africa and the Middle East, who have witnessed and experienced the most unacceptable violations to their rights.
The HELP campaign is urging reform in the humanitarian system which currently neglects the needs and rights of children in war.
You can sign the HELP campaign petition at http://warchild.campaignion.org/help
The hard-hitting ‘Duty of Care’ video is at the forefront of War Child UK’s HELP campaign. It subverts first person shooting games by showing the horror of war through the eyes of Nima, a nine-year-old girl.
The creative team behind the video were Heydon Prowse from BBC3’s The Revolution Will Be Televised, Creative Directors Guy Davidson and Daniel Clarke from London-based agency TOAD, Director Daniel Luchessi and the post production team at H&O and OgilvyOne.
The purpose of the campaign video is to engage people to sign the petition which calls on the UK Government to become champions for children in war, such as those Nima represents in the video.
Providing protection can reduce and prevent atrocities against children. Yet a shocking new statistic released by War Child UK reveals that less than 3% of humanitarian funding is spent on protecting children in war zones, despite them making up more than 50% of the population.
The campaign is targeting the upcoming World Humanitarian Summit to ensure that this unjust disparity is addressed. The greater the level of support, the more difficult it becomes to ignore the protection of children in war when world leaders meet at the World Humanitarian Summit next May.
Been wanting to get involved in a campaign for our privacy for some time now. Really loved working with Bob, Nathan and the Amnesty team for this film.
State intelligence and security agencies are using indiscriminate mass surveillance to hoover up our emails, calls, internet searches, contact lists, phone locations, webcam images and more.
When governments spy on us like this, they abandon long-standing legal principles. They treat us all like criminal suspects, and every detail of our personal lives as suspicious.
Our politicians tell us they need more spying powers so they can catch “terrorists”. But there’s no evidence that mass surveillance will help them. Governments already have vast powers to target those they suspect of doing something wrong. There’s no justification for them spying on all of us.
“Privacy is for the powerless, but transparency is for the powerful,” says former security analyst Edward Snowden, who revealed the shocking extent of secret electronic spy programs in June 2013. “When we live in periods of conflict, where we face serious foreign adversaries, it’s important to protect our values. It’s in times of panic that we lose rights.”
Very happy to see my music in the latest Amnesty campaign for Morocco to reform it’s justice system, which at present is committing, condoning and covering up acts of torture.
Read the report and watch the video here
I’m very happy to say that Surviving Sandy Hook will be screened at Doc Fest 2015. Details below:
12:45pm – ITN Source Showroom 4
Sheffield DOC/Fest presents
Surviving Sandy Hook (18)
Director: Jezza Neumann | Producer: Sarah Foudy | Country: United Kingdom, United States | Year: 2014 | Duration: 90 MINS
A year on from her six-year-old son’s death, Scarlett Lewis is on a mission of healing. “I think guns are a symptom of a greater problem that we have,” she asserts. Jesse was one of 27 victims killed in a shooting spree at the Sandy Hook Elementary School in Newtown, Connecticut in November 2012. Filmed around the first anniversary of the horrific event, the documentary shows four families trying to move on courageously and tentatively. While the details of the day are revisited piecemeal and painfully, we never actually learn the name or intent of the killer; the focus is on life continuing, on the dangers of firearm possession, and on a crumbling health and welfare system that fails to care for the mentally ill in the United States. Jezza Neumann’s latest documentary is an examination of how people make amends that questions more broadly the country’s policies of gun control.
Nice to work with Mette Reitzel to shore up some of the music on Hip Hop Hijabis, now available to view on Al Jazeera.
Muneera and Sukina are Poetic Pilgrimage, Britain’s first female Muslim hip-hop duo. And this is their personal, spiritual and physical journey.
As a tour of the UK takes the women into diverse communities, they remain undeterred by the fact that some Muslims consider music and public female performances to be forbidden.
Instead, their music guides them to new discoveries about their faith, as they learn that they share their journey with other Muslim women around the world, and explore their desire to reconcile their conversion to Islam with their strong feminist sensibilities and Jamaican roots.
Watch and read the director’s review here.
Nice to get a shout from i-docs, “a space for news, research, analysis and dialogue about interactive documentary”.
“Featuring interviews with those who took part in the anti-apartheid campaigns, from the printers of the leaflets to the people who set off the leaflet bombs, this immersive and interactive film takes viewers across multiple parallel narratives.
Browser pop-ups echo leaflets released in leaflet bombs and dedicated viewers are rewarded with a number of hidden stories, picture and poster galleries and photomontages from Peter Kennard. Viewers can either watch all of the narratives, or select a particular strand. Any chosen route takes the viewer to a leaflet maker to write their own message and share it with friends and other viewers.
Kati Price, Head of Digital Media, V&A said: “With this commission we wanted to explore how digital media can tell multiple narratives, allowing viewers to understand the incredible story of the London Recruits from different perspectives. The result is a rich fusion of documentary and interactive storytelling where the format helps convey the secretive, surprising nature of the Recruits’ work.”
Read the full article here
Finally screened on BBC 2, watch on iplayer here!
Over the course of a year, the programme follows families of victims, and survivors present at the school during the shooting. Some are taking the lead in community healing, while others advocate for a change in gun laws; all are working to heal and move on from that traumatic event. In their journey, some venture out of their ‘safe’ suburban community with new eyes; engaging with black urban America, with youth who are coming together from all walks of life to make change, with gun proponents at a gun convention, with prisoners incarcerated for violent crimes. Part of the award-winning BBC2 series, This World.
Nice to be doing some deep sound design with Katharine, Leah and Gilbert at Disobedient Films.
Play the interactive film here
“Here it is. The Disobedient Film Company have launched a new experiential film on rights, resistance and rabble rousing in apartheid South Africa. “London Recruits: the Secret War on Apartheid” is a film made with the support of the V&A for their Disobedient Objects exhibition.
Thanks to the Recruits, the V&A, Disobedient Objects curators Catherine Flood and Gavin Grindon, Jonathan Barnbrook and co for typography, Peter Kennard for some of the art and much of my personal knowledge and inspiration, Jamie Perera for the sound, Kate Reid and her crew for the filming, William Vine for the pyro tips, James Holloway for feeding us and my fellow Disobedient mandem – Katharine Round and Gilbert Sinnott.
Look out for more experiential and interactive films from us.”